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  1. 紀要論文
  2. 大分県立芸術文化短期大学研究紀要
  3. 第37巻

Art as Technique : Viktor Shklovsky and Russian Formalism

https://geitan.repo.nii.ac.jp/records/1216
https://geitan.repo.nii.ac.jp/records/1216
da5ba82f-9355-440f-a8a7-2a957e9deb1b
名前 / ファイル ライセンス アクション
KJ00004254308.pdf KJ00004254308 (287.6 kB)
Item type 紀要論文(ELS)_JAIRO Cloud(WEKO3)対応_c77b0cc6(1)
公開日 1999-12-31
タイトル
タイトル Art as Technique : Viktor Shklovsky and Russian Formalism
言語
言語 eng
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ページ属性
内容記述タイプ Other
内容記述 P(論文)
記事種別(日)
値 論文
論文名よみ
その他のタイトル Art as Technique : Viktor Shklovsky and Russian Formalism
著者名(日) Murray, Paul R.

× Murray, Paul R.

Murray, Paul R.

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著者名(英) Murray, Paul R.

× Murray, Paul R.

en Murray, Paul R.

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抄録(英)
内容記述タイプ Other
内容記述 Viktor Shklovsky was one of the leading figures of a critical and literary movement called Russian formalism. The members of this group felt that form, rather than content, was the most important aspect of any literary work. Formalist method called for detailing and organizing the literary laws and methods that were unique to literature. The most important theoretical statement of Shklovsky is in his work: "Art as Technique." In this work he sets forth his influential theory of defamiliarization. Defamiliarization is the process whereby an author makes his words or technique seem strange and different to the reader, thereby forcing the reader to see the material in a radically fresh and new way. Finally, formalism is tested by using it to view a short story by Akutagawa, "In a Grove" (Yabu no Naka).
雑誌書誌ID
収録物識別子タイプ NCID
収録物識別子 AN10434445
書誌情報 大分県立芸術文化短期大学研究紀要

巻 37, p. 131-135, 発行日 1999-12-31
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