@article{oai:geitan.repo.nii.ac.jp:00001553,
 author = {遠藤, 信一 and Endo, Shinichi},
 journal = {大分県立芸術文化短期大学研究紀要},
 month = {Mar},
 note = {In Kosaku Yamada’s works, “Akatonbo” must be the most popular song. Its lyrics were written by Rohu Miki and the work was published in 1927. The purpose of this paper is to analyze “Akatonbo” from functional harmony. Actually, I had taken up “Akatonbo” “Kayanokiyama” “Kaneganarimasu” as teaching materials in my public lectures at Oita Prefectural College of Arts and Culture in 2005 and analyzed those whole pieces and presented those analyses already there. After that, I have reconsidered and lectured about them in the classes of “Harmonic Analysis” and “Harmony Analysis Exercises” that are my classes at the college up to now. In those lectures and classes, I have got a few responses about those analyses. A same theme another wrote is “A Study of Akatonbo―about an interpretation and analysis of the music― by Mayu Omura” in 2013 year graduation thesis of the music theory course at the college. The thesis refers to the handouts of my public lectures at the college in 2005 and the handouts of my classes of “Harmony Analysis” and “Harmony Analysis Exercises” at the college. In addition to the fact, she analyzed harmony of the music, but her thesis was not detailed. Any other study that is the analysis of the whole music “Akatonbo” based on functional harmony have not been released up to now. That is why I am releasing this paper in this time. In this study, I made a sheet music that was simplified by picking up only harmony notes and analyzed the whole music by fact to fact. As the result of the study, I found romantic and unaffected expression methods to set the singing melody based on pentatonic scale to major scale harmony, and various changes of harmonization attended by lyrics, and so on.},
 pages = {181--194},
 title = {山田耕筰　和声研究 〈赤とんぼ〉},
 volume = {54},
 year = {2017},
 yomi = {エンドウ, シンイチ}
}