@article{oai:geitan.repo.nii.ac.jp:00000373,
 author = {元柳, 富美 and Motoyanagi, F.},
 journal = {大分県立芸術短期大学研究紀要},
 month = {Apr},
 note = {P(論文), 1. His character and career; He was thought to be the trumpeter of the "Jazz Age" and yet in fact never identified himself with it and was deeply hostile to many of its manifestations. At the very time when he was accepted as a symbol of youthful sophistication, he was essentially unsophisticated naive and rommantic, a provincial newly arrived in New York. He was a richly confused character, in which, at least two sharply contrasting and opposed strains can be discovered-lyrical but cynical, a romantist but stoic for himself. 2. Fictional technique of "The Rich Boy" "The Rich Boy" is the story of a very wealthy boy who made a tremendous success in the society but could not but lead a solitary and cynical life in spite of his longing for a home and an ordinary life. Arthur Misener, biographer of Scott Fitzgerald said exquisitely that "Anson's queer, rich boy's pride deprived him of a home and an ordered life which he wanted most. Hating not to dominate, Anson cannot love those he does dominate, cannot commit himself to the human muddle as he must if he is to have the life he wants". Specially as fictional technique, the author established a clever but sympathetic narrator in the center of the novel who gave this article countless merits, that is to say, simplicity, urgency and density.},
 pages = {36--39},
 title = {F. Scott Fitzgeraldと"The Rich Boy" : 1920年代のS. Fitzgeraldと"The Rich Boy"の技法(一般教養関係)},
 volume = {1},
 year = {1959},
 yomi = {モトヤナギ}
}