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アニキウス・マンリウス・セベリウス・ボエティウス(480ころ-524)とその「音楽論」(そのII) : ボエティウスの音楽の3つの分類を中心として
https://geitan.repo.nii.ac.jp/records/619
https://geitan.repo.nii.ac.jp/records/619f8e907e4-0af9-4079-9999-394edd11e950
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00004260303 (1.1 MB)
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| Item type | 紀要論文(ELS)_JAIRO Cloud（WEKO3）対応_c77b0cc6(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 1982-03-31 | |||||||||
| タイトル | ||||||||||
| タイトル | アニキウス・マンリウス・セベリウス・ボエティウス(480ころ-524)とその「音楽論」(そのII) : ボエティウスの音楽の3つの分類を中心として | |||||||||
| タイトル | ||||||||||
| タイトル | On studies of <Anicius Manlius Severius Boethius (ca. A. D. 480-524)> and his work「De institutione musica」(II) : On Boethius's three classifications of music | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | jpn | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | departmental bulletin paper | |||||||||
| ページ属性 | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | P(論文) | |||||||||
| 著者名(日) |
竹井, 成美
× 竹井, 成美
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| 著者名(英) |
Takei, Shigemi
× Takei, Shigemi
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| 抄録(英) | ||||||||||
| 内容記述タイプ | Other | |||||||||
| 内容記述 | Boethius is one of the important theorists who transmitted the musical thought in Ancient Greece to the Middle Ages's. In the Chap. 2 of Vol.1 "Tres esse musicas; in quo de vi musicae (three classifications of music)" of his work「De institutione musica (theory of music)」, he classified music into musica mundana (harmony in the macrocosmos), musica humana (harmony in the microcosmos, i. e. man), and musica instrumentalis (practical music). Not only had this classification of music been quoted heavily by later (A. C. 9-15) theorists of music, but also it had had much effects on the musical thoughts until the time of Renaissance. But, it seems that these problems have been scarcely discussed in the musical fields of Japan. This study deals mainly with Boethius's classification of music in his work「De institutione musica」and takes its contents and its effects on later musical thought in research. Especially the modern musical thoughts are very complicated. Therefore, it is very valuable in the musical studies that we try to research into the Medieval musical thoughts by Boethius's classification of music, and it can be to lead to define the music from more theoretical and systematical point of views. | |||||||||
| 雑誌書誌ID | ||||||||||
| 収録物識別子タイプ | NCID | |||||||||
| 収録物識別子 | AN10302987 | |||||||||
| 書誌情報 |
研究紀要 巻 19, p. 31-42, 発行日 1982-03-31 |
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