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  1. 紀要論文
  2. 研究紀要
  3. 第20巻

明治期における日本陶磁器の装飾技法(I) : 銅版転写

https://geitan.repo.nii.ac.jp/records/628
https://geitan.repo.nii.ac.jp/records/628
622a26c4-7c7a-4f09-9bf1-a1c765b05777
名前 / ファイル ライセンス アクション
KJ00004260193.pdf KJ00004260193 (1.6 MB)
Item type 紀要論文(ELS)_JAIRO Cloud(WEKO3)対応_c77b0cc6(1)
公開日 1982-12-25
タイトル
タイトル 明治期における日本陶磁器の装飾技法(I) : 銅版転写
タイトル
タイトル Decorating Techniques of Japanese Ceramics in Meiji Period (I) : the Etching Transfer Process
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
ページ属性
内容記述タイプ Other
内容記述 P(論文)
著者名(日) 久保木, 真人

× 久保木, 真人

久保木, 真人

ja-Kana クボキ, マサト

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著者名(英) Kuboki, Masato

× Kuboki, Masato

en Kuboki, Masato

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抄録(英)
内容記述タイプ Other
内容記述 The etching transfer process is one of decorating techniques for ceramics. It was invented in the last days of the Tokugawa shogunate. It is said that a painter who had been experienced in the etching in Edo (Tokyo) gave his knowledge to potters in Seto or Mino area. In those days they used natural colors and oily vehicle, so it was difficult to transfer the designs to wares and show their colors. Then it never kept long. After the Meiji Restoration, foreign trade increased year by year, many Japanese ceramics were exported. At the same time new materials, machines and knowhows were inported. As for the etching transfer process developed toward 1887, the oxidized cobalt imported and the starch called "Hakkyu" were used. Its starch was made from purple-orchis. The tissue paper printed with new ink dissolved them was put on a bisque, moistended by wet brush and tapped softly. The tissue being stripped, the design was transfered to the bisque, and it was ready for glazing. This paper describes the process as a etcher succeeded to his father's occupation practices. And this paper points out some differences in the etching as art and the transfer process.
雑誌書誌ID
収録物識別子タイプ NCID
収録物識別子 AN10302987
書誌情報 研究紀要

巻 20, p. 29-41, 発行日 1982-12-25
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