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  1. 紀要論文
  2. 大分県立芸術文化短期大学研究紀要
  3. 第54巻

山田耕筰 和声研究 〈赤とんぼ〉

https://geitan.repo.nii.ac.jp/records/1553
https://geitan.repo.nii.ac.jp/records/1553
c19aca0a-28a1-44eb-9ffc-d79e050c0544
名前 / ファイル ライセンス アクション
54(181-194).pdf 54(181-194) (4.9 MB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2017-03-30
タイトル
タイトル 山田耕筰 和声研究 〈赤とんぼ〉
タイトル
タイトル A Study of Kosaku Yamada’s Harmony 〈Akatonbo〉
言語 en
言語
言語 jpn
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
著者 遠藤, 信一

× 遠藤, 信一

遠藤, 信一

ja-Kana エンドウ, シンイチ

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Endo, Shinichi

× Endo, Shinichi

en Endo, Shinichi

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抄録
内容記述タイプ Abstract
内容記述 In Kosaku Yamada’s works, “Akatonbo” must be the most popular song. Its lyrics were written by Rohu Miki and the work was published in 1927. The purpose of this paper is to analyze “Akatonbo” from functional harmony. Actually, I had taken up “Akatonbo” “Kayanokiyama” “Kaneganarimasu” as teaching materials in my public lectures at Oita Prefectural College of Arts and Culture in 2005 and analyzed those whole pieces and presented those analyses already there. After that, I have reconsidered and lectured about them in the classes of “Harmonic Analysis” and “Harmony Analysis Exercises” that are my classes at the college up to now. In those lectures and classes, I have got a few responses about those analyses. A same theme another wrote is “A Study of Akatonbo―about an interpretation and analysis of the music― by Mayu Omura” in 2013 year graduation thesis of the music theory course at the college. The thesis refers to the handouts of my public lectures at the college in 2005 and the handouts of my classes of “Harmony Analysis” and “Harmony Analysis Exercises” at the college. In addition to the fact, she analyzed harmony of the music, but her thesis was not detailed. Any other study that is the analysis of the whole music “Akatonbo” based on functional harmony have not been released up to now. That is why I am releasing this paper in this time. In this study, I made a sheet music that was simplified by picking up only harmony notes and analyzed the whole music by fact to fact. As the result of the study, I found romantic and unaffected expression methods to set the singing melody based on pentatonic scale to major scale harmony, and various changes of harmonization attended by lyrics, and so on.
書誌情報 大分県立芸術文化短期大学研究紀要

巻 54, p. 181-194, 発行日 2017-03-15
ISSN
収録物識別子タイプ ISSN
収録物識別子 1346-6437
書誌レコードID
収録物識別子タイプ NCID
収録物識別子 AN10434445
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